The sculpture  was juxtaposed to a photograph titled ...Hell, a photograph of a 80`s denim-jacket. The exhibition examines the symbolic meaning and expressions of textiles across time, and explores how one through form and plasticity can mimic textile qualities.

The exhibition at SOFT attempted to deconstruct what Rosalind Krauss calls the “monumental in our collective memory”, in her infamous essay Sculpture in the Expanded Field (1979) and further explored what Krauss calls “a particular place for a specific meaning/event, functioning in relation to the logic of representation and marking, mediating between actual site and representational sign”.

Photos: Øystein Thorvaldsen (SOFT)