The installation was juxtaposed to a photograph titled ...Hell, a photography of a 80s denim-jacket. The exhibition examining the symbolic meaning and expressions of textiles across times. The exhibition attempted to deconstruct what Rosalind Krauss calls the monumental in our collective memory, in her infamous essay ‘Sculpture in the Expanded Field’ (1979) and further ‘explored what Krauss calls ‘a particular place for a specific meaning/event, functioning in relation to the logic of representation and marking, mediating between actual site and representational sign’.